Archive Page 2

21
Apr

¡Qué bonita fue esa noche!

This past Saturday was the Mariachi Veritas de Harvard Spring 2008 Concert at Lowell Lecture Hall, a venue that seats 352. We packed the lecture hall on the first day of Passover! Our concert was spectacular, impeccable, simply electrifying. Everything and everyone was on cue, even the audience knew when to fill the gaps with their cheers!

We practiced everyday the week before the concert. The only respite we had was on Friday, when we held our film screening of Compañeras, with co-director/producer Elizabeth Massie as our guest. On Saturday, we started our day at 2 p.m., preparing Lowell Lecture Hall with our decorations throughout the lecture hall. We went through our sound check and practiced a few songs until around 7:30, when we went downstairs and changed for our concert. The concert was to begin at 8 p.m., so we were running a bit late, which is not bad for concerts. We dressed and walked up backstage, ready to go in. When I looked in, I could not believe it was full of people. Seeing the seats was a great experience, one that I did not expect or had experienced, namely because most of my performances were in parties.

We walked in to an enormous roar of cheers from the crowd and began our concert. Here’s the set list with links to YouTube recordings of the songs that exist. Continue reading ‘¡Qué bonita fue esa noche!’

19
Apr

Las rejas no matan

Today, April 19th, is the 42nd anniversary of Javier Solís’ death. His voice is one of my favorites. Enjoy him singing this song by Tomás Méndez Sosa.

18
Apr

Mariachi Veritas de Harvard invites you to…

We’re in the Crimson! Mariachi Veritas also has a new, updated website!

To find the location of Lowell Lecture Hall, click on the poster and it has the address of Lowell Lecture Hall. I hope to see there! Make sure to say hi to me!

Mariachi Veritas Spring 2008 Concert Poster

16
Apr

Video of the Week: El diablo en una botella

I’m posting this song by Las Voces del Rancho so you can enjoy listening to them. I might write an analysis of their songs for L.A. Eastside soon.

Whatever happened to them? I haven’t heard of them in a while. I LOVED their music. And they’re from Bell!

15
Apr

Soledad en masa elsewhere

I’m now contributing over at the new blog site L.A. Eastside. You can follow my blog posts by going to my author’s page.

I think I can now say I am an official blogger.

UPDATED APRIL 15, 2008, 5:50 p.m.: My post was featured on Curbed L.A.’s “Morning Linkage.” Sweet, thanks!

11
Apr

Saúl Viera, “El gavilancillo,” ten years later

Today, April 11th, 2008, is the tenth anniversary of the death of one of the more famous singers from Los Ángeles, Saúl Viera. He was killed in the parking lot of a Denny’s in Bellflower by an unknown assailant; his girlfriend, who was with him at the time, was not harmed.

Chalino in 1992, Saúl in 1998… Both became inmortales for La Que Buena, the only station that plays their songs in L.A. To this day, you still hear La Que Buena playing their music. Go to Huntington Park, South Gate, Bell, or any of the cities nearby, and you’ll hear at least one car blasting their music.

Before reading any further, go to this MySpace page and listen to Viera’s “Los 3 compitas de L.A.” while reading the rest of the blog entry. It should be titled “Los 3 compitas de South Gate” since the only city named is South Gate, but then again, that’s just my own personal bias towards South Gate.

Saúl Viera’s music is as much a part of Los Ángeles as Toddy Tee and Los Lobos: they’re all music created by those who are not part of the American culture. Once they hit it big, the mainstream doesn’t notice. The mainstream didn’t notice Chalino and Saúl filling El Parral or El Farallon, selling cassettes like crazy in swap meets, but to the other “fringe” cultures that exist in Los Ángeles, they were the best, the top draws, the ultimate señores. Continue reading ‘Saúl Viera, “El gavilancillo,” ten years later’

10
Apr

The L.A. Weekly comes to HP & SG!

Not in print form, which ticks me off, but at least they write about South Gate and Huntington Park (and Cudahy, too). In this week’s edition of the L.A. Weekly, there is a food review of restaurants sure to make my bro happy. Read the review here.

08
Apr

Video of the week: Grítenme piedras del campo

The first time I heard Cuco Sánchez’s “Grítenme piedras del campo,” it was on Linda Ronstadt’s 1991 album Más canciones. It really stuck with me because of Linda’s voice. I wasn’t sure what she was saying (I was eight!) but I knew I liked her voice.

As I started learning mariachi music and better understanding the lyrics of the song, I began to cherish this song more and more. The similes Sánchez uses throughout the song are phenomenal, some of the best I’ve heard in many similar rancheras. What also stuck with me was the key change in the middle of the song when males sing a verse of the lyrics. I’ve always enjoyed that key change. Mariachi Los Camperos did a great job backing her in this song. Kudos to them. Here’s the video, introduced by Paul Rodríguez:

Continue reading ‘Video of the week: Grítenme piedras del campo’

01
Apr

Video of the week: Popurri de Mocedades

My feeling right now is: Where else but through Harvard could I have met el Mariachi Vargas de Tecalitlán, Presidente Felipe Calderón, and former Presidente Vicente Fox in the span of four months?

Here is the video of the week! It’s “Popurri de Mocedades” by el Mariachi Vargas. The songs are all songs performed by Mocedades, a Spanish group famous in the 1970s after they appeared in Eurovision 1973 and reached second place with their song “Eres tú,” the first and last song of this popurri. The songs in the popurri are, in order, “Eres tú,” “Tómame o déjame,” “La otra España,” “¿Quién te cantará?” and it ends with “Eres tú.”

The orchestra’s intro for this song is one of the best I’ve heard for a mariachi song. It is phenomenally conducted and scored to swell to the intro.

I first heard this popurri in 2004 when one of my friends forwarded it to me, along with some Vargas CDs. It hooked me on their sound and their harmonies. This video was recorded at a concert el Mariachi Vargas gave in Queretaro with la Orquesta Filarmónica del Estado de Queretaro, under the direction of José Guadalupe Flores, in 2007 (based on the two harp players and that this concert was released as an album in 2007).

In the coming weeks, I’ll feature more videos of the concert, but this week, only one because it’s eight minutes long. Enjoy.

01
Apr

Quick update

March was the month with the most traffic for this blog. Each month my number of hits has grown, from 715 (Dec.), 1,574 (Jan.), 1,595 (Feb.) to 2,431 this past month of March. I can attribute this to all the visits from people reading “Apodos y recuerdos,” part I and II. Thanks for increasing my blog traffic!

Last week was Spring Break. What did I do? Read a lot of academic essays on the development of Mexican musical forms, such as the rise of banda, narcocorridos, and death poetry of México. I did some work, but namely rested. I didn’t travel anywhere, unlike others, but I had some fun resting.

I’ve got to get back in work mode, so I’ll do that later tonight, once I call home. I have just one more month of school and another month of tests and I am done with my first year at Harvard. Whew.

Yesterday, Vicente Fox gave a speech at the Harvard IOP Forum. It was a good speech and you can view it here.

Gustavo Arellano linked to my blog when he revealed to the world what I knew, that his “retirement” was a prank. Hi, everyone who’s coming in from that entry! I got Rick Rolled twice today by YouTube. Damn you, YouTube!

Other than that, I’ve got a lot of ideas for video of the week. I have to space them throughout the weeks or feature two each week.

31
Mar

I’m quoted in the Crimson

Today the Crimson ran an editorial concerning all the campus dining halls being closed during Spring Break. You can read the editorial here. The editorial is reproduced below.

In yet another case of insensitivity toward undergraduate concerns, Harvard University Dining Services (HUDS) shut down all the dining halls over spring break—leaving the many students who remained on campus over the vacation period without a viable meal plan.

It didn’t have to be this way. While the fiscal and labor-related constraints of HUDS certainly are of concern, the health and well-being of the numerous students on campus should not have gone so neglected.

After all the house dining halls closed on Friday, March 21, a $35 billion institution became home to possibly hundreds barren bellies and scholar-scavengers.

A surprising number of undergraduates are compelled to stay for a wide variety of reasons, all of which call for a daily meal plan.

First, many seniors are forced linger over break in order to complete theses. The final deadlines for many departments fall after the break, concentrators often open out of returning home for a spell or wiling away hours out in Cancun. Honors track concentrators studying Religion, Visual and Environmental Studies, and most of the hard sciences spend their vacations holed up in their rooms.

While spring-sport athletes who stay behind are often cared for by coaches and nutritionists, not everyone has that luxury. Perhaps most importantly, the lack of HUDS meals over break harms students who are socio-economically disadvantaged. For those who are financially prevented from a leisurely spring break, a meal plan is of utmost importance, for dining daily in the square can be prohibitively expensive.

Diego Rentería ’11 was surprised that the dining halls close for Spring Break, yet stay open for intercession. “It’s unreasonable to close the dining halls for a whole week mid-semester. Students on strict budgets like me stay because they cannot afford to travel somewhere. At least two dining halls should stay open for those students who stay behind.”

Opening a few dining halls, as HUDS does for other breaks, would be a potential solution. Bottom-line: Kids on campus should be taken care of.

There are myriad ways for HUDS to address these concerns. HUDS has been excellent about feedback lately—especially since student complaints erupted about food quality a few weeks ago. Perhaps, in line with the recent push toward more open communication, HUDS could do an online poll to find out exactly how many Harvard students will be staying over break, and what meals are most important for students to dine in. They might be able to open only a few dining halls, reduce the number of hot entrees, and still accommodate everyone while minimizing costs.

We understand that there are personnel and financial issues involved with operating dining halls over vacation. Taking into consideration the way that HUDS’ budget is determined each year, its constraints are understandable. But the distribution of funds is decided each winter prior to the school year, and the next time around HUDS should allocate some resources to providing food over Spring Break. Given the amount that students pay for board, we simply cannot have hungry kids at Harvard.

31
Mar

April Fools

I had a prank prepared for April Fools, but I got too lazy to post it here. Until next year!

28
Mar

Google Maps, stop scaring/entertaining me

Google Maps Street View has been updated to include most of L.A. County, including the Southeast. This now makes it possible for me to look at my friends’ houses (or my own) and laugh if I see them (already have).

27
Mar

Voy desvelado por estas calles esperando encontrar…

“Desvelado,” sung by El Macizo wholly encapsulates how I’m feeling right now (it’s three a.m. in Boston) and how I have been feeling for the past week. I already featured this song as a video of the week back in October, but that was the original, Bobby Pulido version. I like El Macizo’s version a lot more at this moment. Less pop song, more love song.

I get back to Los Angeles sometime in late May/early June.

25
Mar

Video of the week: Cuando dos almas

This blog post will attempt to make justice for this great song and a great singer.

This past Monday, the 24th, was the twelfth anniversary of the death of Lola “La grande” Beltrán. I vaguely remember her death and some of the memorial programs for her on T.V. I never heard her much on La Ranchera 930 and never really listened to her until this year, when I looked for her videos on YouTube and found a lot of great recordings of her, most from her later years. The song of hers that has struck me the most has been “Cuando dos almas”.

From what I’ve been able to glean from simple internet research, “Cuando dos almas” is a folk song from Coahuila. Like any good folk song, there is no known composer. I had never heard this song before I looked for Lola Beltrán videos on YouTube a few months ago. The moment I saw the first video of the song, I knew I liked it. It’s a simple song of one lover singing to the other, imploring for their love to not end after the death of one of them. The singer asks their lover to take to their grave some flowers as a way to remember their love.

This song is great on so many levels: the singer is accompanied by the guitar only, the guitar intro is short yet emotive without being flashy, and la Grande’s voice and performance makes her version of “Cuando dos almas” stand above the others I have heard. I have spent the past few hours learning the guitar parts and I have most of them down. If my dad, uncles, or anyone, really, ever wants me to accompany them when singing this song, I’d do it.

I’m going to put up two videos: the first one has the intro guitar part included in the video. It was recorded at one of her performances in el Palacio de Bellas Artes.

This next version is my favorite. The video begins with her singing, but the main differences of this video is the key change (from G to A) halfway through the song and Lola’s performance. No matter how many times I see this video, I cry. You have to see it.

Si vas al campo donde los muertos reposan ya
Busca mi tumba y allí solita la encontrarás
Llévame flores, muchas gardenias y un rosal
Que sean violetas y no me olvides y nada más




Flickr: soledadenmasa

Maglev train through South Gate

No shade at all

Arco Terminal Tanks

Not in service, part II

Not in service, part I

Jaja

No shade for about half a block

Jesucristo Driving School

Arco Terminal Roof

Roof (?) under construction

More Photos